Jimmy Kimmel brought his adorable son Billy on the show, after his heart surgery

Jimmy Kimmel’s son Billy, who was born with congenital heart disease and who has been at the center of the talk show host’s arguments around U.S. healthcare, had his second open heart surgery last week. So, Kimmel brought him on Monday’s show.

Kimmel has taken time off during Billy’s surgery, instead inviting guest hosts Chris Pratt, Melissa McCarthy, Tracee Ellis Ross andNeil Patrick Harris to keep the seat warm.

Billy’s surgery was a roaring success, and Kimmel thanked the doctors and nurses at the Children’s Hospital LA for his son’s treatment. “Daddy cries on TV but Billy doesn’t,” said a tearful Kimmel during his opening monologue.

Kimmel has been at the forefront of the U.S. healthcare debate recently, slamming the proposed Graham-Cassidy bill for not providing coverage for kids like Kimmel’s son (and rejoicing when it was blocked). On Monday’s show, Kimmel championed the CHIP (Children’s Health Insurance Program), administered by the Department of Health to cover families with modest incomes that are too high to qualify for Medicaid. Kimmel says Congress has failed to approve funding for it this year. He also urges people to enrol for healthcare before the cut-off date on Dec. 15.

Billy has one more surgery planned for when he’s six years old, then he’s done. Go get ’em Billy!

Read more: http://mashable.com/2017/12/12/jimmy-kimmel-son-billy/

The star of ‘Gomer Pyle, U.S.M.C.’ has died

Jim Nabors as Private Gomer Pyle in 1965.
Image: CBS via Getty Images

Jim Nabors, whose wide-eyed character Gomer Pyle was so popular on The Andy Griffith Show that he got his own spinoff and whose surprisingly sonorous baritone singing voice made him a successful recording artist, has died. He was 87.

“Golll-ly!” was just one of many corn-pone catchphrases that propelled the hit ’60s show’s naive and lovable Mayberry gas-station attendant to popularity (beating out others like “Garsh!” and “Sha-zam!”).

When CBS decided that Pyle would leave Mayberry for the military, he became Gomer Pyle, U.S.M.C., where his childlike innocence would constantly rattle his Marine sergeant. The spinoff lasted six seasons.

Nabors died at his home in Hawaii after a period of declining health, his husband Stan Cadwallader told The Associated Press. “Everybody knows he was a wonderful man. And that’s all we can say about him. He’s going to be dearly missed,” Cadwallader told the AP.

Born in Alabama, Nabors had been privately out to his friends and loved ones for years, but it wasn’t until the couple wed in 2013 in Washington State that he came out publicly. They lived together in Hawaii, where Nabors had moved in the1970s.

Though Gomer Pyle’s voice was cartoonishly high and homespun, it belied another of Nabors’ talents: as an operatic baritone. He recorded scores of albums and sold out concert halls, hotel resorts and Vegas showrooms through the years.

But the one music gig he’ll perhaps be best known for: The annual singing of “Back Home Again in Indiana” just before the start of the Indianapolis 500. 

Nabors first tackled the Hoosier anthem in 1972, and did it every year (except one, 2007, which he missed with an illness) until 2014, which he announced would be his last.

Read more: http://mashable.com/2017/11/30/jim-nabors-obit-dead-dies-back-home-again-indiana/

Jim Nabors, Gomer Pyle on ‘The Andy Griffith Show,’ dead at 87

(CNN)Jim Nabors, a singer and actor best known for his role as Gomer Pyle on “The Andy Griffith Show,” has died, according to family friend and CNN affiliate KHNL-KGMB producer Phil Arnone.

Nabors died in Honolulu early Thursday “after battling health issues for some time,” Arnone told KHNL-KGMB. Nabors’ husband, Stan Cadwallader, was by his side, the station reports.
Nabors’ career started in the early 1960s with various television work. His breakout role was on “The Andy Griffith Show,” where he played dim-witted mechanic Gomer Pyle for two seasons.
    His popular character was the center of a spinoff series, “Gomer Pyle, U.S.M.C.,” which ran for five seasons.
    He also appeared in films such as “The Best Little Whorehouse in Texas” and “Stroker Ace.”
    As a singer, Nabors released 28 albums, according to his official website.
    Nabors was awarded a star on the Hollywood Walk of Fame in 1991.
    He is survived by his husband.

    Read more: http://www.cnn.com/2017/11/30/entertainment/jim-nabors-dead/index.html

    David Cassidy, ‘Partridge Family’ superstar, in critical condition

    (CNN)David Cassidy, the wildly popular ’70s heartthrob who shot to fame when he starred and sang in TV’s “The Partridge Family,” is in critical condition with organ failure.

    Cassidy is being treated at a Fort Lauderdale, Florida, area hospital, longtime publicist Jo-Ann Geffen told CNN on Saturday. He is in the intensive care unit and has a breathing tube, she said.
    “He is conscious and surrounded by family and friends, nothing is imminent and we are taking it day by day,” Geffen said.
      She did not say what caused the organ failure.
      Cassidy, 67, told People magazine earlier this year he was battling dementia.

      A ’70s superstar

      “The Partridge Family,” a sitcom about a mother and five children who formed a rock ‘n’ roll band, gave Cassidy a national audience for his music. Cassidy, who played Keith Partridge on the show, captured the spirit of 1970s youth.
      His wispy voice and wholesome persona broke out from the small screen. At the time, his fan club reportedly was bigger than those of Elvis Presley and The Beatles.
      The singer toured the world singing his hit songs, such as “I Think I Love You,” filling concert halls with screaming teenage girls.

      Health problems

      Cassidy has spoken publicly in recent years about his struggles with alcohol. He was arrested for driving under the influence on three separate occasions during a four-year span between 2010 and 2014.
      Cassidy, in an interview with CNN in 2014, said his trouble with alcohol was “very humbling and it’s also humiliating.”
      He told People magazine earlier this year that he is battling dementia. He said dementia runs in his family, affecting both his grandfather and his mother.
      “I was in denial, but a part of me always knew this was coming,” he said to People, regarding the disease.

      Read more: http://www.cnn.com/2017/11/18/entertainment/david-cassidy-hospitalized/index.html

      Taylor Swift will never be the feminist we want her to be

      Image: VCG via Getty Images

      Every time a Taylor Swift album is released, critics ask the same exhausting question — will this be the album where Taylor Swift gets political?

      The answer is always the same: Girl. No.

      Swift’s politics, best described as ¯\_(ツ)_/¯, have been the cause of an unending febrile pop culture battle ever since the artist first emerged a decade ago, reaching its apotheosis in 2017. If you’re interested in getting into a fight with a friend, might I suggest bringing up the topic of Swift’s feminism. Watch the unfollows commence. 

      Her latest album, reputation, is no exception. And it’s well past the time me and my fellow feminist friends face the facts. Swift will never, ever be the nasty woman of our left-to-neoliberal political dreams, and no amount of subtweeting will ever change that.

      That doesn’t mean we have to say goodbye.

      While other mainstream pop artists have opened up about their political views, or at least composed an embarrassingly genuine/borderline political Instagram post over the past year, Swift chose to remain comfortably above the fray. The edgiest the artist got was when she tweeted out support for her friends at the Women’s March, the political equivalent of a glass of warm milk. Microwaved.

      For some, it was surprising to see pop culture’s leading capitalist refuse to take advantage of the political moment, especially when the resistance has been so effectively commercialized. #NastyWoman is as much a hashtag as it is branding. It fits on a tote bag, an iPhone case, a pillow, an I’m too-depressed-to-finish this list. Jimmy Kimmel, the former ding-dong behind the Man Show, became the voice who saved health insurance for 26 million Americans (and along the way, his reputation). Katy Perry, the singer best known for shooting whipped cream out of her bazoongas, helped to almost-elect the first female president in history.

      Politics is #trending. Politics is almost cool. And strangest of all, it’s been profitable, a concept that 27-year-old Swift, whose net value hovers around $280 million, is intimately familiar with.

      In this landscape, Swift’s entirely apolitical reputation was something of a gamble. It’s now one she expected to win. Reputation sold 700,000 copies on the first day of its release. It’s predicted to sell a million by Nov. 16, putting Swift on track for the highest sales of her career and making me feel so goddamn bad about my graduate school choices.  

      Let me be clear: politics aside, reputation is a genuinely good album. There’s so much to enjoy here without entirely embarrassing yourself, including hooks that leave a scar and her famously soft righteous anger, honed sharper. If you’re the type of person who enjoys celebrity feuds, might I suggest listening to the delightfully unsubtle “This Is Why…” and tweeting your angry heart out.

      It’s obviously so disappointing that one of the most successful pop stars of our time chooses to do so little with her 85.6 million person platform; especially at a time when life is, by every objective measure, bad. No one could be more effective at propagating a political message than Swift precisely because she’s behaved so neutrally in the past. It’s what made Jimmy Kimmel so potent and comedian-turned-liberal-savior John Oliver so limited in his reach. Swift touches supporters of political extremes (Nazis and snowflakes) and apolitical crowds like no one else can.

      Alas, Swift isn’t changing. She probably never will. We just have to absolve our fantasies and accept the truth we repressed all the way into 2017. Taylor Swift will never tell us who she voted for. She will never be an architect of the #Resistance. Her feminism will always be hazy and largely individualist. 

      She can, however, be something smaller and still good. Swift can be the person we turn to when we want to run from a broken heart, or the artist we escape to when we’re sick of hearing Donald Trump’s name on loop. Swift has always been adept at capturing our relational anger, and she’s only gotten better in reputation. All of that matters, just on a more intimate scale, and we shouldn’t deny ourselves the pleasure of identification just because it lacks a political punch.

      There’s so much of our shitty corporate culture I’ve come to love for what it is, even as I douse it with irony. I don’t come to Supermarket Sweep for the Elizabeth Warren takes, as much as I love the Massachusetts Democrat. I don’t look to Chili’s for a 2018 election strategy; I go to Chili’s for their deliciously trash fajitas. I would obviously love it if Little Caesars finally dropped the act and embraced their true socialist selves, but alas. Maybe that’s for another year.

      Politics touches everything. It’s healthy to crave private spaces where it doesn’t. You’re entitled to have feelings that are not about the president. Forgive yourself, fellow rose emoji of the world, if you download the reputation album and scream every risk-averse lyric out your car window. I’ll be singing and speeding right past my shame all the way with you. 

      Read more: http://mashable.com/2017/11/14/taylor-swift-never-join-resistance/

      Rising star of the rap-emo scene Lil Peep has died aged 21

      Image: Swan Gallet/WWD/REX/Shutterstock

      Lil Peep, a rising young star of the rap-emo scene, has died aged 21.

      Sarah Stennett, CEO of First Access Entertainment, the company that partnered with Peep early last year, confirmed the news of his death in a statement to Mashable: 

      “I am shocked and heartbroken.  I do not believe Peep wanted to die, this is so tragic. He had big goals and dreams for the future which he had shared with me, his team, his family and his friends. He was highly intelligent, hugely creative, massively charismatic, gentle and charming. He had huge ambition and his career was flourishing.

      “I have spoken to his mother and she asked me to convey that she is very, very proud of him and everything he was able to achieve in his short life. She is truly grateful to the fans and the people who have supported and loved him.”

      The cause of the death is still unknown but music manager Adam Grandmaison told The Guardian the artist had been taken to hospital after an overdose. 

      Lil Peep, who grew up in Long Beach, New York, and whose real name was Gustav Åhr, released his debut album “Come Over When You’re Sober (Part One)” in August this year after earning a cult following for a series of short mixtapes in which he opened up about his drug use and mental health issues.   

      Friends, fellow rappers, and collaborators paid tribute on social media. 

      Bella Thorne, who used to date the musician, said in an Instagram story video: “To anybody out there who is a Lil Peep fan you guys know how talented he was. How good he was. Well, he was even more f**king great as a person.”

      Image: Bella thorne/instagram/screengrab

      His manager Chase Ortega ominously tweeted:

      Dutch dance music producer Marshmello wrote: 

      Rapper Post Malone wrote: “In the short time that i knew you, you were a great friend to me and a great person. your music changed the world and it’ll never be the same. i love you bud. forever.”

      Mikey Cortez, a friend and collaborator of Lil Peep, posted on Instagram: 

      While Diplo wrote: 

      Lil Peep was due to perform in Tucson, Arizona, on Wednesday night. 

      Hours before his death, he said he’d been taking Xanax, saying, “I’m good, I’m not sick.”


      A post shared by @lilpeep on

      Read more: http://mashable.com/2017/11/16/rapper-lil-peep-dead-21/

      NFL’s Litany of Excuses Runs Out After Ratings Fall for Second Year

      TV networks are running out of excuses for the dwindling popularity of the National Football League.

      They blamed the election for ratings declines last year, and hurricanes for a soft week one in September. Protests during the national anthem, and President Donald Trump’s criticism of the league, have faded from the headlines. 

      Advertisers are starting to believe a different explanation: the viewers aren’t coming back. Audiences are down an average 7 percent from a year ago through the first eight weeks of the season, excluding last Monday. That’s on top of a decrease of about 8 percent last season that spurred numerous changes in the broadcasts, from shorter commercials to better matchups earlier in the year.

      “There’s just not as many people watching TV the way they used to watch TV,” said Jeremy Carey, managing director of Optimum Sports, a sports marketing agency. “It’s going to be an issue for advertisers when they can’t reach a large-scale audience the way they have.”

      With CBS Corp., 21st Century Fox Inc. and Walt Disney Co. set to report earnings in the next few days, analysts are bound to raise questions. These companies have used the popularity of the games to extract additional fees from cable operators, promote other shows on their networks and sell lots of commercials. Pro football games drew about $3.5 billion in ad spending last year, including the postseason, according to SMI Media Inc.

      Media companies have spent billions of dollars on the right to air football games, which had been immune to the erosion of viewership for other TV programming. Audiences for TV networks have diminished for years as the growing popularity of online alternatives Netflix and YouTube and the availability of most shows on-demand have reduced the appeal of dramas and comedies. Live TV, like sports, was supposed to be immune, but that theory looks highly questionable now.

      Ratings for the NFL suggest the same societal trends are now affecting the league, even if the declines aren’t as dramatic. The drop in game viewership ranges from 5 percent for NBC’s “Sunday Night Football” to 11 percent for the CBS Sunday package. “Monday Night Football,” on Disney’s ESPN, has attracted more fans this year than a year ago, but the numbers are still down from 2015.

      Viewership of the four main broadcast networks fell 8.7 percent last year, and 12 percent among adults 18 to 49, an important demographic for advertisers.

      CBS’s 11 percent slump for NFL games is the steepest of the networks. Its parent company, which reports earnings after the close Thursday, is more vulnerable than rivals to the trend because the vast majority of its earnings come from the broadcast network. The declines at CBS reinforce a complaint that has gotten louder and louder in recent weeks: The league got greedy in adding the Thursday night game on broadcast.

      Reserving top games for Thursday night robbed other time periods of good match-ups. After a nosedive in ratings at “Monday Night Football” last season, the league has scheduled better games for that time period, further damaging Sunday afternoon.

      “Ratings declines on both general entertainment and NFL programming could be the single biggest point of focus for investors this quarter, and we’re not sure what media companies can say about the health and tone of the ad market to assuage fears,” Steven Cahall, an analyst with RBC Capital Markets, wrote in a note last month.

      Viewership is dropping fast among people under 54 — a key demographic for advertisers — and even faster among those 18 to 34. Audiences for games on CBS, NBC and Fox have slid at least 10 percent among that younger cohort.

      Advertisers aren’t abandoning the NFL, one of the only places they can still reach more than 10 million people at once. But they are growing concerned. John Schnatter, who appears in TV spots on behalf of his Papa John’s Pizza International Inc., laid into the league on a conference call this week, blaming the ratings for his company’s slow revenue growth and calling for the league to put an end to player protests.

      Networks and other advertisers identify a wide range of reasons for the NFL’s struggles. The league has overexposed itself by making highlights available on Facebook, YouTube, Twitter and Snapchat. Identifiable stars like Peyton Manning and Aaron Rodgers have either retired or gotten hurt. The quality of play has deteriorated. Player protests and concussions have driven away some fans.

      Some executives argue viewership of the league has still improved over the long term while dropping for every other show. Yet the amount of time people have spent watching football this season is at the lowest point since 2011, back when there were fewer televised games, according to Mike Mulvihill, Fox Sports’ head of research.

      “The cumulative effect of everything happening in the world at large is having an impact on NFL viewership,” Mulvihill said. “ The league was defying the laws of gravity.”

        Read more: http://www.bloomberg.com/news/articles/2017-11-02/nfl-s-litany-of-excuses-runs-out-as-ratings-fall-for-second-year

        Opioid Billionaire’s Indictment Opens New Window on Epidemic

        More than a decade after opioid painkillers first exploded across the U.S., John Kapoor found an aggressive way to sell even more, according to prosecutors: He began bribing doctors to prescribe them.

        Speakers’ fees, dinners, entertainment, cash — federal charges unsealed Thursday claim Kapoor’s striving company, Insys Therapeutics Inc., employed all of that and more to spur prescriptions of a highly addictive fentanyl-based drug intended only for cancer patients.

        As President Donald Trump declared at a White House event that opioid abuse represents a public-health emergency, authorities arrested Kapoor in Arizona and painted a stark portrait of how Insys allegedly worked hand in glove with doctors to expand the market for the powerful agents.

        “Selling a highly addictive opioid-cancer pain drug to patients who did not have cancer makes them no better than street-level drug dealers,” Harold Shaw, the top FBI agent in Boston, said of Kapoor and other Insys executives charged earlier in the case.

        The story of the 74-year-old billionaire and the company he founded traces the arc of a crisis that claims 175 lives each day. What began with the over-prescription of painkillers in the late 1990s soon became a race by manufacturers to dispense more and more pills.

        Overdose Risks

        Charged with racketeering conspiracy and other felonies, Kapoor became the highest-ranking pharma executive to be accused of an opioid-related crime, and his arrest may portend charges against companies far larger than Insys, which has a modest $417 million market capitalization.

        In Connecticut, prosecutors have begun a criminal probe of Purdue Pharmaceutical Inc.’s marketing of OxyContin. Scores of states, cities and counties have sued companies including Purdue, Endo International Plc, and Johnson & Johnson’s Janssen Pharmaceuticals, alleging they triggered the opioid epidemic by minimizing the addiction and overdose risks of painkillers such as Percocet.

        But so far, no recent case has been so sweeping as the one against the executives including Kapoor, who made his initial court appearance late Thursday in Phoenix. A U.S. magistrate judge set bail at $1 million and ordered Kapoor to surrender his passport and submit to electronic monitoring. His lawyer, Brian Kelly, said Kapoor posted bail after the hearing.

        This week, a Rhode Island doctor admitted accepting kickbacks from Insys in exchange for writing prescriptions. Earlier this year, two doctors were sentenced to more than 20 years behind bars for accepting bribes from companies including Insys to sell fentanyl-based medications.

        The Kapoor indictment pinpoints the start of the alleged scheme.

        Oral Spray

        It was early 2012, and Insys’s new oral spray of the opioid fentanyl wasn’t selling well. Because it was so addictive, the pain-relief drug was subject to a tightly controlled distribution system, and regulators demanded to be notified about suspicious orders by manufacturers, wholesalers and pharmacies. And the drug wasn’t cheap, so insurers set up barriers for patients seeking it.

        That was when Kapoor and others at Insys went to extremes to dramatically boost sales of the painkiller, prosecutors said. Doling out speaker fees, marketing payments and food and entertainment perks, they allegedly began bribing doctors to prescribe the drug, and then tricked insurers into paying for it.

        One Insys sales executive told subordinates that it didn’t matter whether doctors were entertaining, according to the indictment: “They do not need to be good speakers, they need to write a lot of” Subsys prescriptions, the official said, referring to the brand name of the painkiller.

        Over a two-year period starting in 2013, Chandler, Arizona-based Insys set aside more than $12.2 million for doctors’ speaking fees, prosecutors said. One doctor received as much as $229,640 in speaker fees for appearing at what amounted to “sham events that were mere social gatherings also attended by friends and office staff,” according to the indictment.

        Friends, Family

        The company encouraged doctors to write more prescriptions by hiring their friends and family members to serve as “business liaisons’’ and “business-relation managers,’’ prosecutors said. These support-staff employees worked in the doctors’ offices but were paid by Insys in what the indictment called bribes and kickbacks.

        Insys even made a video featuring a sales rep dressed as a giant fentanyl spray bottle, rapping and dancing to a song that pushed the idea of getting doctors to prescribe higher doses, prosecutors said.

        Others previously charged include Michael Babich, Insys’s former CEO, Alec Burlakoff, the ex-vice president of sales, and Richard Simon, once the company’s national sales director. They all deny wrongdoing.

        Joe McGrath, an Insys spokesman, declined to comment on Kapoor’s indictment in Boston federal court. The company, which wasn’t charged, has reportedly been in settlement talks with the U.S. Justice Department to resolve a probe into its Subsys marketing. The company’s shares fell more than 22 percent to $5.74 in Nasdaq trading.

        The Lawyer Who Beat Big Tobacco Takes On the Opioid Industry

        The first person in his family to attend college, Kapoor rose from modest means in India to become a wealthy health-care entrepreneur, after earning a doctorate in medicinal chemistry at the University of Buffalo in 1972, according to a work-history the school posted.

        He was a plant manager at Invenex Laboratories in New York and later became chief executive officer of LyphoMed, a hospital-products company. He sold LyphoMed to Fujisawa Pharmaceuticals and formed a venture capital firm that invested in health-care companies.

        In 2010, he merged privately held Insys with NeoPharm Inc. to get access to technology to develop pain drugs for cancer patients. Even though he has stepped down as Insys’s chairman and chief executive officer, he still holds more than 60 percent of its stock.

        Kapoor and Babich are also accused of misleading insurers about patients’ diagnoses and the types of pain they suffered that were covered by the Subsys prescriptions tied to the payment scheme, prosecutors said.

        The company’s agents allegedly told insurers that patients were receiving Subsys for “breakthrough pain’’ to secure coverage. They also misled insurers about what other pain drugs patients had tried before being proscribed Subsys, according to the indictment.

        Some lower-level Insys employees have pleaded guilty and are cooperating with prosecutors, according to court papers. Elizabeth Gurrieri, a former manager who oversaw insurance reimbursements, pleaded guilty to one count of conspiring to commit wire fraud in June.

          Read more: http://www.bloomberg.com/news/articles/2017-10-26/insys-therapeutics-founder-charged-in-opioid-fraud-case

          ‘Mindhunter’ goes deep into the motives of our most depraved killers

          Netflix’s David Fincher-produced serial crime series Mindhunter takes viewers into the depraved minds of history’s most notorious killers. By way of a young, ambitious FBI agent doing groundbreaking research, it tracks the birth of modern FBI profiling with chilling and evocative scenery.

          Set in 1977, the series follows FBI agent Ford Holden who petitions the Behavioral Science Unit to conduct research on the minds of society’s heinous criminals after a hostage situation ends in grim fashion. The first episode is a tedious yet essential watch.

          The Netflix series poses the the core question: Are criminals born, or are they formed? It finds answers but not easy ones.

          Based on FBI Agent John Douglas’ true-crime book Mind Hunter: Inside the FBI’s Elite Serial Crime Unit, Holden hones in on “sequence” killers, those who have committed multiple murders with sociopathic methodology. He hopes to build a model that will allow them to understand this new breed of era-specific killers.

          The darkly lit series breaks away from the typical procedural drama, with no grisly scenes, police chases, or shoot-outs. Conversations the agents have with other cops, criminals, and suspects such as Edmund Kemper (the Co-ed Killer), Benjamin Barnwright, and Jerry Brudos (the Shoe Fetish Slayer) push the story along.

          Screengrab via Netflix/YouTube

          Each character becomes a tool for solving crimes, be it at the hands of an oversharing and affable man or the narcissistic liar who doubles down even when the evidence is stacked against him.

          The cerebral nature of the show can bog down and slow the story. Outside of the research, detectives Ford and Bill Tench (Holt McCallany) often find themselves entangled in separate cases in towns ill-equipped for crimes bigger than shoplifting or underage drinking. These business trips break up the monotony of watching Tench and Holden dissect their research.

          The greatest shortcoming of the show is Jonathan Groff’s wooden portrayal of Holden. He never deviates from a mild demeanor, whether presented with horribly mutilated bodies or talking about kinks with his girlfriend. He holds tight to the stickler-for-the rules cop archetype which torpedoes the show’s dramatic range. Tench is the tough, street-smart balance to Holden’s persnickety demeanor. He offers a splash of personality against the stuffiness of the show. But instead of remaining as static comic relief, we see the costly toll his job takes on his mental health.

          But the real stars here are the killers. Glimpses of Dennis Rader are interspersed throughout the show, whom many speculate will be the main subject of the already-greenlit season 2.

          Cameron Britton’s portrayal of Edmund “Ed” Kemper is the highlight of the series, delivering an intricate performance as a self-aggrandizing, self-pitying, and lucid man who sees his crimes as payback against a mother who wronged him and women who “humiliated” him.

          Screengrab via Netflix/YouTube

          As the show progresses, the collection of interviews and crimes builds a complicated consensus: Society forges criminals who have been “failed” in some way, but some people are also born with “urges” to kill that become triggered by their upbringing or other external stimuli.

          One polarizing detail is that all of these men committed heinous crimes as revenge against the embittered and abusive childhoods their moms dealt then. Or as a way to demean women. Producers contrast these developments against an era where most women had limited agency, and the effect is disturbing.

          Mindhunter has great dialogue enhanced by stunning cinematography, but it’s too clinical. It sterilizes crimes by removing their emotional core from the story. But it goes all in on its subject matter, throwing high-level criminal and psychological terminology at viewers. Episodes range between 42 and 56 minutes, and they can feel like homework. But it’s a meditative series sure to delight fans of the true-crime genre.

          Still not sure what to watch on Netflix? Here are our guides for the absolute best movies on Netflix, must-see Netflix original series and movies, and the comedy specials guaranteed to make you laugh.

          Read more: https://www.dailydot.com/upstream/mindhunter-netflix-review/

          Blizzard takes legal action against ‘Overwatch’ copycat

          Image: blizzard entertainment

          There’s a Chinese mobile game called Heroes of Warfare, which takes as much inspiration as possible from Blizzard Entertainment’s hit game Overwatch. A little too much inspiration for Blizzard’s liking.

          Blizzard and its Chinese partner NetEase are suing Heroes of Warfare‘s creators, 4399, for infringing on its intellectual property, Japanese news site PC Watch reported today. Blizzard claims that 4399’s Heroes of Warfare and another game that’s already been shut down is too similar to Overwatch, and is calling for a take down.

          Just take a look through this gameplay video of Heroes of Warfare and you’ll see what Blizzard is getting at:

          Many of the playable characters in Heroes of Warfare look and play similarly to the heroes in Overwatch, the maps are nearly identical to Overwatch maps, and the heads-up display showing scores, kills, and health is basically the same as Overwatch‘s.

          As is common practice for intellectual property infringement lawsuits, Blizzard is asking for 4399 to cease production of its copycat games, for monetary compensation for damages, and that Heroes of Warfare be removed from iOS and Android app stores.

          This isn’t the first time a game developer has copied Overwatch‘s aesthetics and gameplay approaches. A different Chinese mobile game called Hero Mission did the exact same thing earlier this year. In fact, Hero Mission and Heroes of Warfare are pretty hard to tell apart.

          Also, sidenote to all game developers ripping off existing games: Try to come up with better, less-generic names than Heroes of Warfare. What does that even mean?

          H/T Kotaku

          Every editorial product is independently selected by Mashable journalists. If you buy something featured, we may earn an affiliate commission which helps support our journalism.

          Read more: http://mashable.com/2017/10/13/overwatch-china-infringement/